The Holy Wild is a timely literary achievement worthy of a laurel wreath.It is a poetically written book that explores the power of the wild feminine and her stories of loss, love, and transformation. The themes of the book transcend genre boundaries of any one feminine or goddess perspective.Readers are addressed primarily as priestesses but also referred to as witches, prophetesses, wisdom keepers, sages, and hunters. Dulsky speaks to the threefold goddess, maiden, mother and crone, in each women while referencing lessons of the elements and associated wild feminine archetypes in the 5 Books of Earth, Water, Fire, Air and Ether.
The reader is invited to journey down the Red Road of healing, wholeness, and integration through verses, rituals, magick, and the revisioning of ancient stories surrounding shamed women archetypes in Western religion. They include Lilith, Salome, Mother of Babylon, Mary Magdalene, and Jezebel.Each elemental Book provides rituals, and practices to the priestess for releasing social conditioning and for becoming “the authentic embodiment of the woman she needed when she was younger.”
They involve writing, circles, incantations, divinations, prayers, dances, songs, and spell crafts for grounding, healing, protection, releasing, manifesting, vibration raising, intention setting, and energy infusing. All of these activities help the practitioner heal herself and her relationships, and ultimately enable her to become “a change agent” and “holy weaver” in the outer world. I followed the Red Road through each of the Books of Elements discovering through the rituals and exercises my own personal gifts of insight.
Book of Earth
The earth element is about rightful rebellion and tasting the forbidden. The Wild Feminine Archetype is The Priestess of the Wild Earth. This book offers the priestess validation for understanding how she outgrows a too small life. And how a woman like myself may seek liberation from a comfortable yet confined situation, which often involves a descent of release comparable to Inanna’s journey into the Underworld.
I was reminded of how even a perceived garden can feel limited and restricted, and at the same time how difficult it is to leave its safety for the unknown. The gift is to become the largest version of myself.
Book of Water
The water element is about reclaiming embodied feeling and awakening our creative art and sense of hope. The Wild Feminine Archetype is The Maiden of the Unbridled Sensual. This section affirmed for me of the importance of recovering and experiencing the juicy, joyful, and creative parts of life.
The three-part water ritual described for communion, cleansing and succulence is an especially powerful ceremony for helping the Priestess release the too small in her life and to support recovered sensual experiences. The gift is the validation of my right to feel deeply.
Book of Fire
The fire element is about igniting the pyre of release and purification, followed by maintaining the flame that sustains a holy will. It is the transformer that validates and transmutes righteous anger into soul affirming activism. The Wild Feminine Archetype is The Prophetess of the Wildfire.
The exercise, “Handwritten Verses: We Will Keep this Fire Burning,” clarifies the soulful longings the Priestess feels listening to the “sea of small faces,” the children who trust this generation to willfully tend the fire of hope for what has been wounded, that which we have loved. The gift is the acceptance of my anger as a rightful source of energy for holy speech and courageous action that supports change in the world.
Book of Air
The air element fills our hearts with the power of love and a desire for connective, supportive, and balanced relationships. The Wild Feminine Archetype is The Witch of Sacred love, which in the revisioned story of the Magdalene reflects the longed for balance between the divine feminine and sacred masculine within our inner and outer landscapes.
And we are reminded that maiden, mother and crone live in all humans, not strictly bound by age or gender. The in-depth rituals for Circle Craft in this section are especially helpful for practitioners who form and facilitate spiritual groups.A circle formed with clear agreed upon intentions allows bonding and the infusion of nourishing vibrations. The gifts are medicine for my personal support and a fertile ground from which to collectively create a mission that mirrors shared values for healing and changing the world.
Book of Ether
The ether element connects us to the realm of spirit, the infinite, and the void, a place where the Priestess learns about the autonomy of her spiritual practice. The Wild Feminine Archetype is The Queen of Ethereal Divine. The activity “Meeting the One Who Waits: Simple Pathworking for the Wakeful Dreamer,” is an excellent method for a lucid dream journey where one enters “the fertile space between sleep and awake.” The priestess is asked to imagine a familiar earthy place and set an intention to meet an ancestral guide. Then to surrender within the liminal space, asking what she most needs to know at the moment. This particular method of dreaming opens a sacred space in a place of true knowing and is used effectively within groups led by dream teachers. The gifts are the empowering of goddess divinity within and my right to claim connection to her mysteries.
A Final Word
Dulsky asks us to look at our own stories and “tiny soulful treasures long buried” for spiritual truth and to embrace our right to an authentic relationship with the sacred. Then to take these gifts to the world in ways that reflect our truth. Her book speaks wisdom to readers of all genders who in her words wish “to craft a world with a soulful voice which rallies against racism, patriarchy, and the spoiling of our planet.” I enjoyed this book immensely and recommend it heartily.
Writer: Meredith Eastwood
Photo in Leader: Thought Catalog
The link to purchase the book is an Amazon affiliate link. Buying the book from this site will support Mindfunda
Do you consider yourself a Goddess? You should. The Goddess is the earth. We are all part of the earth. But the Goddess is more. She is also that spiritual vessel that brings love in new unexpected ways. She is connected with the moon. This week’s Mindfunda is about dreaming with the goddess, incubating dreams that aligne with the phase of the moon. Find out how you can dream the Goddess into your live!
Mindfunda explores the Goddess in 4 blogs
The Triple Goddess was hot in the seventies of last century. Marija Gimbutas put the Goddess back on the map. She inspired a lot of scientists, anthropologists and mythologists up to this day. But the attention for the Goddess seems to have faded away. Mindfunda want to invite you to reconnect with the Goddess. During the month of November Mindfunda will share 5 blogs:
In our rational world the Goddess seems to have disappeared. That is why the dream group I am part of spent a mont of dreaming with the Goddess. We wanted to see how the energy of the goddess still resonates in our lives, our loves and our dreams. Each week during a month, one of the members shared a dream incubation devoted to the Goddess. The new moon or Maiden Goddess, the half-moon dedicated to Shakti, the full moon dedicated to Mother Goddessand the last quarter dedicated to the Crone Goddess.
Looking back on this project, I can say that I was struck by the archetypical motives we encountered in our month of dreaming. To connect with the creative power of the Goddess has increased my faith in my own body and how it reflects the wisdom of the earth. Find out how you can dream the Goddess into your live!
Dreaming with the Triple Goddess week #1
In our first week we connected with the Goddess in a beautiful way. There are so many beautiful inspiring dreams that it is hard to choose. I selected two that show the qualities of the Goddess in a very clear way. They represent the Triple Goddess in clothes and colors. I had these two dreams:
First dream: I am flying on a bird…
The second dream I am in a marketplace. An elderly lady is sitting there. She is short-haired and she looks at the clothing me and my sister are selecting. It is clothing our mother gave to us and she wants us to pick out what we like. I select three dresses, a dark one, a light blue one and a white one with blue figures on it. I take the last one, the white with blue with me, to try on. I take a leather bikini a brown one but put it back because it is not my style.
When I walk away and I wonder if I took the right dress, maybe the dark one would have been better.
The bird in the first dream can refer to the soul, just like the bird C.J Jung saw in his dream that changed into a blond girl. Marija Gimbutas associated the Bird Goddess with the Great Cosmic Creator.
The second dream shows the Crone guarding over the clothes my Mother left behind for me. There are as many outfits for me as there are manifestations of the Goddess. A dark one, representing the Dark Goddess, a light blue one representing the Mother and a white one with blue figures on it representing the Maiden. I choose the last one, but it does not feel right. The perspective of my life is changing. I am no longer the young girl, I have become a mother. With my children growing up to be teenagers It is significant to me that I do not change into this dress, I only take it with me to try it on.
The light blue dress resembles the dress frequently depicted on mother Mary.
Carol had this dream about the triple goddess:
Dream I am somewhere I don’t know lots of people around. I am putting in a tricolor rug noticing colors red and green not sure of third color. I look and go into a crawl cave like space under the floor it seems. I am talking about the rug with someone laying out the patches of pieces side by side seems more like leftover remnants. I then look out a back window and see a fire burning in a one level building. I am telling others to look at the flames. I have seen this happen before. I see people inside trying to put it out. Then I look at the wood planked floor under my feet and see flames from burning fire too.
Maria Cernuto commented on this dream: “The tricolor rug reflects the Triple Goddess most likely: Maiden (green or white is Her color), Mother (red), & Crone / Grandmother (dark blue or black). The colors woven together (tricolor) in the rug are like the Triple Goddess figure… the Moon’s phases / Phases of the Goddess are not separate… even time… past, present & future are woven together, they’re not separate”.
To me, the fire on the wood represents “the fire inside, the fire in the mind” as Joseph Campbell would phrase it. The Goddess came and said hello to us that first week and enlightened the flame. This theme of colors and clothing returned in my dreams later that month…
Dreaming with the triple Goddess week #2
Maria Cernuto shared a dream incubation devoted to Shakti energy.
Knowledge of Shakti occurs primarily in the Tantric texts from India. Shakti translates loosely to “Cosmic Energy” or simply “Power.” She is energy, force, sexuality, spiritual fire, ability, faculty, strength, potential, etc. She is the Divine Feminine energy of all –of both genders, male and female – She is that which causes all action to occur. Maria Cenuto
And indeed, most of our dreams displayed couples, relationships and sexuality. Debbie shared this dream:
It is as if I just woke up in my bedroom. It is bright and sunny. There is a young couple intertwined with each other on Michael’s side of the bed (left when standing facing it) and Michael and I are intertwined on my side of the bed. I realize that the couple and Michael and I are covered in a huge amount of sexual excretions; as if a bucket of it was poured over each couple. Woke up in a bright sunny bedroom and said wow that was a lot of “come”.
Note* there was no sexual excitement to the dream at all and no lovemaking. It was more like everyone was done hours before.
Maria Cenuto commented on this dream:
This is very Shakti-like in that she is sexual energy. I like the young and older couples, especially given how long you and Michael have been together. “Michael is on my side” — I like the way that sounds metaphorically… he’s “come” to my side. How could this relate to the incubation? What part of sexuality or sexual energy could be “developed, harnessed and utilized” for the benefit of your own inner shakti power?
In her dream Maria wears a necklace of the perfect couple:
Instant Karma, Libra Judgement and the Blue Bindu:
I am in a mall and run into D. She wanted to walk with me to say “hi” to somebody I was with. I say to the person, “I don’t know if you remember, but this is I’s daughter.” I don’t know who I was talking to. I am walking around the mall alone. I am wearing the pentacle necklace with the “perfect couple” in the center. A slender Asian / Orient male is walking towards me, and for some reason I flash him the pentacle – not sure why I did it, like I thought he could be dangerous and I am trying to intimidate him with witchcraft. He made a face like why are you showing me this object / necklace; and then he simply asked me a question. I answered him and we both walked our separate ways. As I am walking away my necklace / the chain part breaks. I think this karma for jumping the gun and judging him and using a sacred symbol to instill fear or threaten him.
Then I see rare blue macaw parrots, and then a blue dot appearing on my forehead / Anja Chakra, only bright, electric blue; and it seemed to have dimension to it, not flat, bubbled outward.
In this dream the Goddess appears in the color blue. In “Renowned Goddess of Desire” Loriliai Biernacki associates the color blue with creating life and the moon:
“The color blue makes things prosper; the color blue is indeed a God. The soft kind Goddess Avitri, the light of the world (Kali) is blue and the ancient teachings in the throat of Shiva are blue.
The great Indra, emperor of the Gods is blue and the rain clouds which give life to the world are blue. The vault of the sky that gives space to all living things is blue. The moon which is the source of light has a blue strain.”
The Goddess Shakti to which the incubation was dedicated has a blue manifestation in MahaMaja. A goddess blue-black in complexion.
“The Sanskrit word Maya has two important meanings – one is measurement and another is extraordinary or supernatural power and also illusion.
So the term Mahamaya is an attempt by human mind to capture – unimaginable qualities of Goddess Shakti – like she is matter, she is energy, her various forms, creation, sustenance and destruction.
Sadly no human word is powerful enough to capture the true form of Goddess Shakti and it can only be known through self-realization“. (Hindu-blog.com)
In this way Shakti/MahaMaja is a dream Goddess. A dream, an illusion, a created reality that makes everything possible.
Dreaming with the triple Goddess week #3
In this week we dreamed during Full Moon. The Moon and dreams are connected according to old traditions. Connie Kaplan has written a very good book about it: The woman’s book of dreams. It is one of my favorite books. During the week of incubating dreams, the moon is known as the harvest moon. It is the full moon that happens closest to the autumn equinox. Farmers used to harvest using the light of the moon. We incubated the question of what we needed to harvest in our lives right now. The first dream of Shelli tells about the present she gets from the Goddess, but also about the hurt she needs to let go off.
“I’m at Maria’s house with Ralf, Debbie, I think Patricia, Susanne and my hubby, his parents, and a few young kids. I see K. and she wants to tell me something unimportant and now forgotten.
One of the young girls has to go pee and as I grab her, she does a bit on a couch. I rush to the bathroom and I try to get her to sit but her legs end up in the toilet. It’s deep so her feet aren’t in the water but she pees.
We are getting ready to leave and I have to pee. The bathroom door is a drape that is pulled across a wooden bar. In-laws and Maria come in as I’m sitting there. I shoo them all away and hubby comes to my assistance to rid them so I can pee without them all. One has to leave through the bathroom and everyone is leaving.
I walk back to a bedroom to find my clothes as I am just in panties. I try to cover myself as I see a bunch of clothes hung over the back of a chair. Beside them are gift bags that Maria has for us, but I pretend I didn’t see them.
We are ready to go, and I leave with hubby and in-laws. Maria says goodbye and when we are outside my mother in law asks everyone’s names but I tell her I’ve only met some of them once and couldn’t remember who was who“.
In Shelli’s dream the dream group is present at the house of the current Goddesses Mary. The Goddess has presents for everyone. The Maiden represented by the young girl has to go to the bathroom. She has to let go of emotions no longer needed. The dreamer herself also has to get rid of old water. Water as a symbol of the Goddess. Water as emotion, creation. In situations were I have a broken heart I usually dream about going to the bathroom. In “A branch of the Lightning Tree” Martin Shaw writes:
“Years can pass in our own lives between and event that caused us to both love and lose, and the slow birthing of insight that one day (seven years perhaps?) causes our shaman-fox to saunter through the groves of difficult remembering and shuffle out the seed we carry on into the rest of our lives. That seed could grow to contain any number of things -But some parenting is required: the other disciplines of the Queen or Magician have to come into play to help it grow into the bespoke shape it wants to become.”
With this perspective we can see the dream as an invitation to an initiation from the Goddess. The Goddess invites the dreamer to let go of her old emotions: the pee of the young girl and later on that of herself. She helps her Maiden and even puts her in the middle of the toilet, with her legs in it: now that is an invitation to an initiation! Changing waters, changing emotions, stepping forward. Her husband is there to help her unload, to get into her new life stage as Crown with a new view on love. And the dreamer finds gifts for everyone in the house of Maria. She does not open them yet, but the invitation is there! A very positive invitation…
The water element of the Goddess also played an important part in a dream of Maria Cernuto:
Goddess of the Water Element
I am involved in a sort of competition. A group of people creating altars, sacred space and rituals to express an aspect of the Goddess. I was assigned the element of water, so I was to honor Water Goddesses – others were assigned a different element (Fire Goddess, Air Goddess, and Earth Goddess). I placed the white statue of Venus that I have in WPR (Botticelli’s Birth of Venus) on the altar, and then I put the large conch shell I have in waking life in front of the statue to represent a vagina – I drape a strand of puka shells in the opening / spilling out, and a tubular shaped seasponge (also have these in waking life).
Recall hanging a poster on 1 of the 4 quarters’ walls – it was from the major arcana of R.J. Stewart’s Dreampower Tarot, “The Maiden” – a female wrapped in a white fluid like substance flowing from the blue-black background with a the Celtic Sheela na gig – her vulva exposed as usual with a white water-like excretion flowing out and wrapping around the female figure (see below).
I placed other art prints relating to Water Goddesses on the other walls – can’t recall what I used. We used items gathered from this one large room that was for everybody to build their ritual / altar with.
Maria Cernuto is an astrologer and the full moon at the time of dreaming was in Pisces. Connie Kaplan says in the Woman’s book of dreaming that dreams can involve water. Maria herself says about this dream:
I could use more water in terms of being more in touch with feelings / emotions (intercepted Moon in Capricorn in the 1st house — cold and repressed). I have Venus in a water sign, Cancer (Mothering/Birth), though it too is intercepted in the opposite house of the Moon, the 7th.
Venus relates to the arts though She expresses differently through either Taurus or Libra; the Morning and Evening Stars respectively. The former more sensual via singing / music, sculpting, makeup artistry / beauty, etc.; and the latter with refinement thru dance, poetry / literature, music / instruments, painting, etc.I get the message of birthing something with all the open vagina symbols, and water breaking type images. Some form of creativity to manifest.
The dreamer seems to be harvesting one of the four elements of the Goddess. She has an alchemical approach of the Goddess: there is a water, an air, an earth and a fire element to the Goddess. In our first week we have encountered the fire element in a dream shared by Carol (see paragraph Dreaming with the Triple Goddess week #1). In the second week we had the air element of the Goddess symbolised by the blue bird in the dream of Maria Cernuto (see Dreaming with the Triple Goddess week #2). And now she shares her vision on the water element of the Goddess as something she needs to cultivate. That is the harvest of the Goddess. The gift that Shelli saw in the first dream I shared in this paragraph.
Dreaming with the Triple Goddess week #4
The last week of our month of dreaming with the Goddess was dedicated to the Crone. I selected a paragraph of the incubation Debbie shared with us.
“The Crone is associated with the waning Moon and the moment of exact darkness of the moon before the new moon. She is also associated with autumn and winter. She is death but with the promise of new life. She is known as The Grandmother, she is past her child bearing days and bleeds no more and holds that power within. She is the Wise Woman and midwife, The Wisdom Keeper, Seer and Healer”.
The Crone aspect of the Triple Goddess is the most feared and misunderstood. She represents the most frightening aspects of humanity: destruction and death. In “Well of Remembrance” Barbel Kreidt tells about her meeting the Crone after spending a few days and nights in the desert.
“I am the Goddess who solves all riddles because I know everything. The golden one has sent me to you. Every person must gaze upon me at least once in life. I am veiled because my face is unendurable when it is unveiled. Yet whoever searches for knowledge can ask me to lift my veil”.
The nameless fear, the horror. Death, war disease, cruelty, the tortures of all times and the whole world can be seen therein. I hear the screams, the cries, the despair. It simply flows out of her face. A face as cold as stone, ageless. A model of ugliness. Inconceivable. With eyes that close for nothing. I take it into me and hear her voice as she tells me it is not enough to simply endure her. I must also love her.”
In our week of dreaming with the Crone she manifested herself as the Goddess of Ice in a dream of Shelli. In this dream the water of the Goddess has turned into slippery ice. Shelli has learned to control it. She skates, dances, controls it and finds her way home. The Goddess has shown her to let go of old emotions and now she has “thougned up” for the job. She twirrles and skates
I’m at my hometown arena, figure skating. There’s only a few of us on the ice. I am my present age but trying to see if I can do the jumps and spins I was able to do when I was skating.
There’s a coach from the south there to watch us, looking for exceptional skaters. I know I’m not one of them, but just have something to prove to myself. The coach is a bit arrogant, and I do my best to ignore him.
I start with some jumps as I work my way up to the more difficult doubles that I was able to do. There’s a bit of an audience as there will be a hockey practice after.
I decide it’s time to try some spins. I can do a basic upright corkscrew very well, but my camel spin isn’t very good. It’s slow and pathetic, so I go back to my jumps.
I see a few of the guys I went to school with and someone I don’t know in waking live but I know in my dream and want to show off without looking like I am. I don’t make eye contact and just pretend I am practicing.
I eventually am able to do the difficult doubles, all of them. I am very happy as they came a lot easier than I thought they would. Again, I am trying to be noticed but not obviously. I set up for the double lutzes and do them right in front of the one I’m trying to impress the most. And I do it very well!
I go back to do a few spins again, including a difficult entry camel from my right leg. Again it’s a bit pathetic, so I stick the jumps. I decide to see if I can do some double combos. I do a double toe double toe well enough and decide it’s time for a double lutz double toe. After a few attempts I land it. I am very happy with myself!
One of the Zamboni drivers when I skated tells us it’s time to get off. A coach tells him that they usually give us a but more time. He says he knows this and usually he can but there are hockey players out ready to practice.
I skate and do a few more lutzes, then get off the ice. I go to the lobby and sit on the floor. There’s other people there that I know. I wipe off my blades and look at them closely. The picks look well-used and I think I’ll need new blades, but there’s still enough of the blade left and they are very sharp still. I wipe them with my mitts to get them dry.
As I sit there, I see lots of family. I also see B. She asks if I need a ride as she’ll have to ask her parents. I tell her I can probably get a ride with my family. My younger brother says we can find a ride home and I see my aunt. I ask if we can go home with her. She says sure that she can do it. We get into the front of her truck and she drives us to our parents home. Recall fades.
Note (from Shelli). I believe this is about becoming confident in my abilities. I’ve always been doubtful that I am actually good at what I do. Also, I just discovered yesterday my new Director is someone who I skated sometimes with. I believe I am to be confident that she will see me as having great potential. Thank you, Goddess Crone for this gift!
When accepting coldness and arrogance that you encounter in this world as a fact of life and not as a personal rejection you can skate away on your own pace and find your way home again. I love how in this dream Sheli finds her way home again by accepting a drive from her mothers’ sister: her aunt. The love between sisters is strong. Do you remember the film Frozen? The Ice Queen Elsa showed that love was the only form of magic.
Loving yourself, embracing your own shadow is the gift of the Crone. To become an old man or old lady that is wise and accepting. Carol dreams a dream of accepting the two sides of everything: the Warrior and the Goddess, Logos and Mythos, the Shadow and our Conscious Self (it is no wonder that Elsa keeps creating mandala’s in the film frozen):
Another Wake Induced Lucid Dream visual: I am crying two times. My dreams seem to be repeating: there is two of everything. When my tear drops are falling from my eyes down my cheeks someone is holding what looks like a circular tin can to catch my tears while saying: “Have to get them before I die”. It is like this is a way of saving the energy of DNA. I am saying really like nothing notable.
There is no reason to be smart, there is every reason to just be yourself. To accept your wisdom, your sorrow, your pain, your joy. Like Clarissa Pinkola Estes says in Women who run with Wolves:
“If one overlooks a woman’s dual nature and takes a woman at face value, one is in for a big surprise, for when the woman’s wildish nature rises from her depths and begins to assert itself, she often has interests, feelings, and ideas which are quite different from those she expressed before.”
The tears with life juice are captured in a Grail-like tin.
The Grail as symbol dates back to the 12th century. It was said to have captured the blood of Christ. During the centuries the Grail has become a symbol for divine grace. To unite the God and the Goddess is a key to become the authentic Self.
Your vision will become clear only when you can look into your own heart. Who looks outside, dreams; who looks inside, awakes.
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THIS CONTENT IS CREATED BY SUSANNE VAN DOORN, AUTHOR AND OWNER OF MINDFUNDA; MAKING THE FUNDAMENTALS OF PSYCHOLOGY, MYTHOLOGY AND SPIRITUALITY EASY TO USE IN YOUR PERSONAL LIFE!
What is Mindfunda about?
My name is Susanne van Doorn, I am a Dutch psychologist, blogger and author. I have been working with psychology, dreams and mythology ever since I finished my study in psychology at Tilburg University. I made this independant site to share insights, and recent scientific articles about the brain, dreams, and mythology for use in your personal life.
This posting is categorised as Mythofunda:
“Myths are public dreams, dreams are private myths” Joseph Campbell used to say. This part of Mindfunda shows you how your personal mythology can create peace in your life.
This blog is a guest blog for I wrote for Patti Allen. You can find her website by clicking here. Patti is a dreamer, and a tarot-ist with her own deck of cards: The Abeton Key, named after the sleep chamber in the ancient healing temple of Asclepius.
Dreams at the crossroads of life. I had never imagined getting this old so I am celebrating. Listening to my dreams gives me the symbolism I need to face the challenge of this new phase of life… I will share a bit of my blog here and invite you to read the rest of it at Patti Allen her blog: pattiallen.com
When Patti asked me to write a blog post to contribute to her Heart-Centered Dreamwork I was thrilled. Patti and I share the same dream of creating a platform to share knowledge about dreams, spirituality, and mythology.
Looking back at my life, I see three crossroads I have passed through. I matured from childhood into womanhood, I choose my partner for life and entered a life stage of companionship and motherhood. And now at this point in my life I say farewell to my fertility and welcome the Crone stage. (In the ancient societies there where three stages of womanhood: the Maiden, the Mother and the Crone, all manifestations of the triple Goddess.)
Crossroads From Childhood Into Womanhood
My earliest memory of a dream is a nightmarish dream I had about an airplane being stuck in my closet. I was scared about the noise it made and how trapped it must feel in that little closet of mine. We used to live near a military airway. I later on deciphered it to be about the way I had to tune down my energy in the big family I grew up in. I am the youngest one in a family of 7 siblings. We had nine people living in our house. So it was always fun, always busy and there always was the need to tune in or tune down. I think my dream supported my longing to fly out, to spread my wings. I left home relatively early at age 17, doing just that. You can see that a dream that is concerned with showing you new roads on which to travel, often uses symbols of travel. In this dream it is an airplane. The air and the wind flow and chill, but it also supports transportation into new endeavors.
Ralph Metzner talks on Mindfunda’s Youtube channel https://youtu.be/-fJcYnuB8R8 about the battle between the Aesir sky gods and the Vanir earth gods as the battle between old and new technology. To resolve this battle Odin showed both tribes how to conduct rituals based on mutual respect. The earth tribe in my childhood home was my father. Being the principle of the local high school he was all about rules. Teaching the rules, playing by the rules; do your homework. He liked things that where tangible. I was more “airy”: I saw ghosts, spirits, I could talks to them for hours. I was a dreamy girl. It took me several decades to engage in a ritual based on mutual respect to build a bridge towards my father’s knowledge. A dream paved the way for that. In this dream of mine I foresaw his death. After having this dream I asked him if he wanted to do anything before he was gone; anything he had not gotten around to in his life? He talked with me that night about his life, about how wonderful it had been and about how much he loved my mother. He had enjoyed the company of his children and told me how I always amazed him with my analytic skills and my guts to ask questions other people only thought, but never said out loud.
Please sign up for my YouTube channel to enjoy all the beautiful Mindfunda interviews with inspiring people. People like Jean Benedict Raffa, Anne Baring, Connie Kaplan, Ralph Metzner Stanley Krippner and P.M.H. Atwater. I will be doing an interview with Catherine Wikholm about her book the Buddha Pill very soon so be sure to sign up!